EN LOS TRIGALES RODRIGO PDF

Download En los trigales – Joaquín Rodrigo Short Description. Download En los trigales – Joaquín Rodrigo Description. View more Comments. One of my favorite Spanish pieces for guitar is En los trigales by Joaquin Rodrigo . The title means “In the wheatfields” and an experience I had. Compose date: Duration: 4′ Editor: EJR Premiere date and place: Regino Sainz de la Maza Available scores formats: 1. Gui.

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The title means “In the wheatfields” and an experience I had while I was learning the piece has always given me a context for it. Amazon Second Chance Pass it on, trade it in, give it a second life. En los trigales by Rodrigo. You have exceeded the maximum number of MP3 items in your MP3 cart.

This phrase is a reply of sorts with a question or pause at the end. Does that imply Rodrigo’s musical priorities? The usual is about 60 at best, which makes the allegro alla marcia too slow. AmazonGlobal Ship Orders Internationally. There is another dilemma worth discussion.

Be the first to review this item. It s worth while actually writing out what Rodrigo asks for: No performers are so disciplined. The day begins “a day in the life of a wheatfield worker” with a roosther crowing. A friend of mine from Valencia told me that Although’ En los trigales ‘when translated literally means ‘in the wheatfields’It is actually also a turn of phrase used to describe something similar to daydreaming.

Nothing special, but the tranquility of the scene really struck me.

Last edited by choctawchas on Tue Apr 28, 5: Posted by Bryan Townsend at 7: Share Facebook Twitter Pinterest. This rooster crowing becomes somewhat thematic lod it is referenced at the end of pretty much ever phrase throughout the rest of the piece. Despite the editing the effect in most performances is almost the opposite.

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Took up the piece and much enjoying playing it. There is the busyness of the work in the fields, then the sound of the bells from the church and also the sound of a chant, drifting across the fields.

To get part of the effect Rodrigo is asking for, try playing the initial semi quaver “a” notes alone with just a single f bass note at tempo. Rodriyo my ears the next phrase then is so much more dramatic with that poco rit adding yet again.

En Los Trigales is dedicated to Narciso Yepes and that edition is edited by him.

Rodrigo asks for two “changes” in tempo, the first is the fermata at the end of bar 8 and the poco rit at trigals Most play it slower. Playing just the top line with the articulation Rodrigo writes gives a good introduction to what he is after.

Let us have a bit of fun and get stuck into this one. Does anyone play that next section pianissimo?

En Los Trigales: Rodrigo – Classical Guitar

When players start bar seventeen the editing is pp, none play that. What are you fellows thinking here? Anyway, I’ll work teigales the speed after I learn all the notes The French guitarist I mentioned makes pretty good use of ponticello in varying the repetitions, so I’ve been trying to emulate her. From the Album Big Guitar Box 2. The mentioned tempo is dotted crotchet to Learn more about Amazon Prime.

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En los trigales – Joaquín Rodrigo

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I enjoyed your imagined story. Bryan TownsendJoaquin Rodrigo. Amazon Drive Cloud storage from Amazon. I think you might be defining the virtuosic aspect of the piece. Product details Original Release Date: Does anyone know if another score exists and if it is more “authentic” than the score I rodeigo using? Withoutabox Submit to Film Festivals.

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Taking dotted crotchet at 72 and assuming that Rodrigo is an articulate rodrigk I will assume that Rodrigo wanted that tempo for the initial 16 bars. Actually, as I’ve been learning the piece, when I’ve gotten into a “keener” or more driving rhythm, I’ve felt that I’ve perhaps killed the distinctions among the phrases, and so I’ve turned toward concentrating on distinguishing them, for instance, by trying to pay particular attention to the dynamic rodrgo.

Our route took us through La Mancha and we stopped at a little village for refreshments. The attitude you describe is the best attitude. Whether intended this way by Rodrigo or not, this is what I hear: There’s a problem loading this menu right now.

But I think I have experienced the opposition that you mention between a “keenness” and “quasi-Flamenco” rhapsodic quality, with me unfortunately tending toward the latter.

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