Christus factus est, WAB 11 (Anton Bruckner) the well-known a cappella Messe für den Gründonnerstag, WAB 9 (Anton Bruckner) (Mass for. Demanding Gradual, that, with chromatics and modulation lends the text of the Passion a high degree of expression. Motet Notes. Anton Bruckner: Christus factus est. Bruckner, most famous today for his vast, sprawling symphonies, was also remarkable church musician.

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The second part of the Grail – motif from Wagner’s Parsifal which the composer had heard in Bayreuth in is also the Dresdner Amen. Tantum ergo, WAB 32ca. Here is music for a cappella choir, grouped loosely according to the themes of its texts, drawing together composers as far apart in time and space as eleventh-century France and twentieth-century Russia and America.

Be the first to write down a comment. Symphonies — Symphony in F minor No. It expresses in sombre lines how inhuman is God’s demand to implacable obedience to the death, even the death on the cross.

The bar work in D minor is scored for eight-part mixed choir, three trombones, two violins [3]and violacello and double bass [6] ad libitum. Creative Commons Attribution 3. This page was last edited on 7 Octoberat The work in 79 bars in D minor is set for mixed choir a cappella.

Corydon SingersMatthew Best conductor. Christus factus est pro nobis obediens usque ad mortem, mortem autem crucis. Sor – Six divertissements pour la guitare Opus 1.

Motet Notes

Choral music from the sixteenth-century, eat up to the late-twentieth-century features on this beautiful eleven-track album, with stunning performances from The Choir of Royal Holloway. This sequence of music for Lent, Passiontide and Easter represents a journey through perhaps the most dramatic part of the Church’s year.


Connect to add to a playlist. Organ works — Two Aequali Motet by Anton Bruckner. The Cambridge SingersJohn Rutter conductor. Performers Wiener Kammerchor, Hans Gillesberger dir.

Christus factus est – Hyperion Records – CDs, MP3 and Lossless downloads

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It is followed on bar 38 by a second “pyramid”, which follows the same procedure and ends in D major. An ethereal account of Ave Maria has a breadth and grandeur which belies its short time-span; as the vocal lines crowd in on each other, the effect is nothing short of electrifying. Christus factus est Christ became obedient WAB 10, is a sacred motet by Anton Brucknerhis second setting of the Latin gradual Christus factus estwritten in Here is music vhristus a cappella choir, grouped loosely according to the themes of its texts, drawing together composers as far apart in time gruckner space as eleventh-century France and twentieth-century Russia and America.

Retrieved from ” https: Corydon Singers fqctus, Matthew Best conductor. You are not connected, choose one of two options to submit your comment: Pseudo This is your nickname on free-scores.

The work was published first by Ludwig Berberich in Vienna in without string instruments the violins being replaced by the alto voice during bars Publisher Carus-Verlag summarizes that by means of modulation and chromatic, Bruckner achieves heightened expressiveness for the Passion text. And popular as it is, if there chrkstus to be a ‘definitive’ interpretation on disc of Locus iste, this has to be it.

A portion of the proceeds from sales of this recording will be donated to Macmillan Cancer Support. Creative Commons Attribution Non-commercial 3. Hyperion offers both CDs, and downloads in a number of formats. Wherefore God also hath highly exalted him and given him a name which is above every name. Stephen Layton’s reading of the Second Mass articulates sublime, prayer-like qualities routinely overlooked and underplayed by others.


The first section barsa Dorian mode melody sung by the soprano and alto voices in unisonwhich is accompanied by a counterpoint of the first and second violins, ends on ” autem crucis “. Dir zum hohen Feste Mayer Cantata: TenebraeNigel Short conductor. Award-winning choir Tenebrae performs a sumptuous selection ahton motets by Johannes Brahms and Anton Bruckner.

Free sheet music : Bruckner, Joseph Anton – Christus factus est (Choral SATB)

This is a searching performance, with soft singing of awed intensity, but also an unusually dramatic one. Psalm settings — Psalm Magnificat Psalm 22 c. Lieder — Der Mondabend c. The key of D minor gives way to D flat major in a mere nineteen bars.

Christus factus est (Anton Bruckner)

Award-winning choir Tenebrae performs a sumptuous selection of motets by Johannes Brahms and Anton Bruckner. This file is based on high-resolution images obtained from the source using a method explained on this page. The new edition Nowak-Bauernfeind is in accordance with the original manuscript.

Christus factus est composer. The motet is an expressive setting of the gradual, influenced by Wagner ‘s music. Giffen The bass should read nomen, not momen in bar This page was last edited on 30 Mayat